Interviewees:
-
David Brigham
- President and CEO, Historical Society of Pennsylvania
-
William Ewald
- John J. O’Brien Professor of Comparative and International Law, University of Pennsylvania Law School
Philadelphia's first July 4th celebration, in 1777, was documented in a newspaper account as including cannon fire, fireworks, and music played by a Hessian band, a detail underscoring the war's strange reversals. Illuminated windows were expected of every household, and those who refused, largely Quaker Loyalists, had their panes broken. Sarah Logan Fisher, a Quaker Loyalist diarist, recorded the night as terrifying. Fifteen windows were shattered in her home because she declined to display candles. Her diary is one of the most vivid dissenting records of the Revolution's memory culture, capturing both the coercion embedded in Patriot celebration and a principled resistance to what she saw as an unjust war. A generation later, John Lewis Krimmel painted a watercolor of the 1819 celebration at Center Square, depicting a diverse crowd—men, women, children, Black and white—around a fountain, an iconic image of early American civic life and the aspirational memory of independence.
